Showing posts with label YouTube. Show all posts
Showing posts with label YouTube. Show all posts

Thursday, March 25, 2021

Received Our 1-Year Patch For Supporting “Lifestyle Overland”


I get a lot of inspiration watching a number of enterprising creators on YouTube. 

It’s fun to see people crafting interesting content on the platform. It’s also neat to see the production values that can be achieved with hardware and software packages available to regular consumers. 

I’ve been meaning to write about some of the creators I enjoy watching. 

Bridget and I recently received our “1-year patch” for supporting the Lifestyle Overland YouTube channel via Patreon. 

The patch came in this envelope that featured a Lifestyle Overland Topo Bear decal on the flap: 

Inside the package was our 1-year anniversary patch, two decals with the anniversary artwork, and a “Thank You” card from the McCuiston family: 

I find bits of swag like this to be a lot of fun. 

I stumbled upon the Lifestyle Overland channel about a year ago, and quickly found the off-road adventures of the McCuiston family (Kevin, Sarah, and daughter Caroline) to be compelling viewing. 

The production value of each video is excellent (they started uploading in 4K for the current season’s videos), and the music selections are spot on (I particularly enjoy the opening theme song). 

The family has geared their collective life towards the overlanding experience. It’s fascinating to see people steer towards their passion. 

Bridge and I aren’t terribly “outdoorsy” ourselves. So it’s kind of nice to be able to live vicariously through “camp life” aficionados like the McCuiston family. 

There are a lot of interesting videos to explore on the Lifestyle Overland channel. As of this writing, the family is currently enjoying the scenic wonders of Utah: 

The 50-part “Overlanding the North Country” series (which takes you to Northern Canada and Alaska) is a particular favorite of mine, and shows the positives and negatives of an overlanding lifestyle: 

To experience the entire slate of Lifestyle Overland videos for yourself, head on over to their YouTube channel at www.youtube.com/lifestyleoverland

If you'd like to learn more about Lifestyle Overland and the McCuiston family, visit www.lifestyleoverland.com (the site includes a blog and links to purchase Lifestyle Overland branded merch). And if you want to support them on Patreon, visit their page here.

I really enjoyed the anniversary patch we received from Lifestyle Overland. It’s nice to be able to support content creators (even in a small way). Bridget and I have enjoyed their adventure thus far, and are looking forward to seeing where the family’s travels take them this year. 

Previous post: Review: Let's Talk About That 9-Episode Season of “WandaVision” 

Thursday, May 9, 2019

Review: “Cobra Kai” Season 2 is an Emotional Kick in the Gut


When the first season of “Cobra Kai” debuted on YouTube Premium last year I was immediately smitten. 

I wrote in my review of the first season that the show was “less a reboot and more a sequel to the original movie.”

The second season of “Cobra Kai” further develops the rivalry between characters Daniel LaRusso (Ralph Macchio) and Johnny Lawrence (William Zabka). 

When the second season begins, retro-minded Lawrence has clawed his way out of a low-rent existence, spruced himself up, and led his newfangled Cobra Kai dojo to a win at the Under 18 All Valley Karate Championships.


(There is a scene illustrating his newfound confidence involving a custom Cobra Kai-inspired paint job on the Challenger he obtained during the first season... )

Unfortunately, his journey to redemption hits a snag when former sensei John Kreese (Martin Kove) returns “from the dead” and reinserts himself in Lawrence’s life. 


At the same time, LaRusso works to bring back Miyagi-Do Karate (building on the principles Mr. Miyagi used to guide him in “The Karate Kid”) so he can properly train Johnny’s estranged son Robby (Tanner Buchanan) — who he befriended and mentored during the first season — along with additional students. 


As the 10 episodes progress, LaRusso and Lawrence continue their burgeoning rivalry. The season’s arc develops during the summer months, meaning the students from the competing dojos can explore their relationships outside the context of school. 


Viewers are treated to more exploration of the budding relationship between Robby and Daniel’s daughter Sam (Mary Mouser). 

A new girl named Tory (Peyton List) comes on the scene and joins Cobra Kai. She and Lawrence protégé Miguel (Xolo Maridueña) strike up a friendship.


We also delve more deeply into the psyche of recovering geek Eli “Hawk” Moskowitz (Jacob Bertrand). 


“Cobra Kai” manages to up the ante between rival dojos in the second season. Both of our protagonists — Lawrence and LaRusso — have soul-searching moments. 

The second season explores what happens when a childhood rivalry goes too far. All of this simmers to a boil in a season finale that is shocking, tragic, and shows no mercy. 


In that regard, the second season of “Cobra Kai” is more in tune with the 1986 movie “The Karate Kid Part II” — where the narrative sees karate intertwining with life-and-death situations. 

As Mr. Miyagi once said, “This not tournament. This for real.”

It dawned on me during those closing moments just how invested I am in these characters. 


I mentioned in my 2018 review of “Cobra Kai” season 1 that the series was created by the minds behind movies like the “Harold & Kumar” franchise, “American Reunion,” and “Hot Tub Time Machine.” 

As a result, the second season of “Cobra Kai” isn’t all melancholy. 

There is a geeky adult who joins Cobra Kai named Raymond (Paul Walter Hauser) who injects some sophomoric humor into the second season. 


This felt like an attempt to infuse a vibe similar to the movie “Old School.” I don’t know if the gag quite worked. It kind of felt out of place in a season featuring so much emotional heft.


There were other moments that seemed “uneven” in the second outing of “Cobra Kai.” For example, I thought certain parts of the “Kreese plotline” were a bit heavy-handed. 

I also thought it was interesting to see 1989’s “The Karate Kid Part III” become a point of reference in “Cobra Kai” season 2 (since “Part III” was a pretty forgettable entry in the movie series). 

Macchio addresses the “Cobra Kai” references to “The Karate Kid Part III” in a recent podcast interview with Bill Simmons (also includes some interesting tidbits about Macchio’s early acting career):



Overall, my quibbles are minor. The second season strikes a decent balance in the narrative threads. 

I have to say the writers/creators did a solid job on “Cobra Kai” season 2. They’ve created a reboot/sequel to the original “Karate Kid” movies that is fresh, fun and compelling. 


The second season also manages to transcend “80s nostalgia” to become its own living, breathing thing. That’s a good sign moving forward. 

It was announced last week that “Cobra Kai” has been renewed for a third season (surprising no one). I’ve also heard that Elisabeth Shue is set to reprise her role as Ali Mills next season. 

It’s neat to see them getting the band back together in “Cobra Kai” (via character additions and cameos). 


I’ve made no secret that I love “Cobra Kai.” In my mind, it is one of the best things going on television today. 

I’m just bummed we have to wait another year to watch more!

Highly recommended. 


P.S. — If you haven’t seen this ESPN 30-for-30 “Mockumentary” about Daniel LaRusso vs. Johnny Lawrence at the 1984 All Valley Karate Championship, check it out: 


Related posts on “Cobra Kai”:






Saturday, May 5, 2018

TV Review: “Cobra Kai” Season 1


YouTube Red’s new “Cobra Kai” series finds the stars of the 1984 movie “The Karate Kid” back in action — ready to bring the underdog tale of martial arts and pop philosophy into the 21st century. 

The show is less a reboot and more a sequel to the original movie. 

The story pics up three decades after the movie. Underdog hero Daniel LaRusso (Ralph Macchio) is a successful entrepreneur with thriving automobile dealerships, a beautiful home, and a loving family. 


Arch nemesis Johnny Lawrence (William Zabka) is a down-on-his-luck divorced dad who shuffles around Los Angeles doing handyman jobs — driving a faded red Firebird, drinking Coors beer, and emotionally stuck in the 1980s. 


One fateful evening, Lawrence is getting a slice of pizza from a decrepit convenience store. As he sits on the curb eating the slice, a group of rowdy teens arrive and pick on a boy, Miguel Diaz (Xolo Maridueña), exiting the store. The bullying turns violent — Miguel is shoved onto the hood of Johnny’s car — and Lawrence steps into action and employs karate moves to take the bullies down. 

Miguel is impressed with the martial artistry, and seeks out Lawrence (who lives in the same Reseda apartment complex) to teach him the way of the fist. 

Reluctant at first, Lawrence agrees to be Miguel’s sensei (to the pounding beat of “Sirius” by The Alan Parsons Project) — the sequence of events prompted by a chance run-in with LaRusso.  


The Cobra Kai dojo is reborn — this time with a decidedly geeky clientele — and Lawrence is on the path of redemption. 

The setup provides a terrific launching pad for the first season of “Cobra Kai.”

Bridget and I shot through all 10 episodes in a couple of days (each episode runs about 30 minutes).

“Cobra Kai” was created by the minds behind movies like the “Harold & Kumar” franchise, “American Reunion,” and “Hot Tub Time Machine.”

Don’t let that fact dissuade you. The show is able to strike a balance between comedy and drama. You find yourself invested in the characters. 

The humor can be a bit low-brow at times, but it doesn’t detract from the fun. 


We learn that Johnny Lawrence isn’t a one dimensional bully who grew up in the lap of privilege. We meet his cantankerous stepdad (Ed Asner) and learn Johnny's childhood wasn’t all it was cracked up to be. 

Training Miguel becomes a guiding force in Johnny’s life. As Lawrence tells the boy’s mother, “that kid is the only person in the world who hasn’t given up on me, and I don’t want to give up on him.”

We also see Daniel LaRusso in a new light. The trappings of success have caused him to become distracted from what is important. In his zeal to continue "righting the wrongs" of his youth, he finds himself the bully as it regards Johnny Lawrence. 


“Cobra Kai” becomes the story of redemption for both men, and exposes a younger generation to the lessons both have learned. 

As Miguel’s mom says to Johnny, “You can’t let the mistakes of the past determine your future.”

In addition to the philosophical underpinnings of the show, there are also nods to the 1980s. 

A clever example of this is when Johnny consults the 1986 movie “Iron Eagle” looking for wisdom — listening with rapt attention as Col. Chappy Sinclair doles out sage advice to Doug Masters.


Because Johnny is an analog man stuck in a digital world, he is the perfect vessel to point out all the idiosyncrasies of today's culture. 

As you would expect, there are also a number of 1980s musical cues throughout the 10-episode season. 

“Cobra Kai” is able to make 1980s nostalgia feel fresh and fun — wrapping it all up in a dramedy format that rings true to today’s narrative style. 


The story weaves the lives of the various cast members together — meaning LaRusso and Lawrence have ample opportunities to reignite an old rivalry. 

While YouTube is the king of crowd-sourced video content, the outlet is behind streaming services like Netflix and Amazon in terms of scripted programming. 

If “Cobra Kai” exemplifies the content Google can put forth, they are headed in the right direction. 

If you’d like to check out “Cobra Kai,” the first two episodes are available for free on YouTube. Here is the first episode:



I don’t know what producers have planned for future seasons of “Cobra Kai,” but the first season was a lot of fun. 

In “Cobra Kai,” “The Karate Kid” finally got the sequel it deserved. 

Highly recommended. 

Related posts on “Cobra Kai”





Saturday, January 20, 2018

Do Paywalls Thwart The Spread of Legit News?


There has been a considerable amount of talk about the rise of “fake news,” and various technological maneuvers to try and combat the spread of low-brow content on the Internet.

It begs the question whether consumers have shrugged off the more traditional news operations because of monetary hindrances like paywalls — a move that limits the content available to non-paying subscribers — and, if such revenue-generating strategies serve to thwart the influence of legitimate news. 

As time progresses, it develops like a slow leak. Drip, drip, drip. Turning future generations away from well-researched, responsible reporting, and soaking society with “citizen journalists” willing to put out a variety of content for free. 

Twenty-two years ago I graduated with a degree in journalism from the University of Nebraska at Omaha, and have owned and operated a media-related marketing communications business ever since. In the intervening years, I have watched the entire communications juggernaut undergo more change than it had the previous 40. 

People used to travel through life with the understanding that they would pay for news. Families had subscriptions to daily newspapers, and would also subscribe to “specialty” magazines with more targeted content. People watched television newscasts with the idea that “commercial breaks” were a way to pay for valuable information. 

But the paradigm has changed. We are creating an entire culture built on the idea that content is free — whether it be news, sports, or entertainment. 

It has happened before our eyes. We’ve seen a rise in consumers “cutting the cord” on traditional cable and satellite television subscriptions. They are dropping these things in favor of cheaper services like Netflix, and free offerings like YouTube. Many are using old-school technology like over-the-air TV antennas to bring free television into their homes. 

Newspapers have been trying to find a way to keep revenue positive. Some have found wealthy benefactors willing to prop up shaky foundations. For example, billionaire Warren Buffett owns the Omaha World-Herald (my city’s daily newspaper), and Amazon CEO Jeff Bezos owns the Washington Post. 

While these organizations try to fight off layoffs — as they continue to manage the amount of original content produced on a daily basis — they soldier on with the notion that people will continue paying for news.

The problem is that the gatekeeper function has radically changed. The entities controlling information have names like Facebook, Twitter, and Google. Those entities — through sophisticated analytic filters — determine the content you see. 

There are plenty of operations out there willing to produce content for free (often plastered with banner advertising and sponsored posts). I’m not altogether sure people prefer such “news sources,” but access is free, and free typically wins the day. 


One of my favorite documentaries is the 2011 film “Page One: Inside the New York Times.” The documentary focuses on the fall of daily newspapers, the collapse of automobile and classified advertising in those publications, and the erosion of subscribers to Internet-based outlets. It also focuses on the effort large news organizations undertake to bring consumers news.


This past week, the Omaha World-Herald unleashed a “revamped” paywall — its "Subscriber Plus" digital option ($9.95 per month) is the only way you can see online articles about the Nebraska Cornhuskers, Creighton Bluejays, and UNO Mavericks. In essence, the World-Herald has decided to restrict access to more of the local, home-grown news stories focused on our community (the stories not readily distributed across the globe via the Associated Press). The OWH also lists as a benefit that its web pages will load faster for digital subscribers (which I find to be an odd thing to mention).

We have a Sunday subscription to the Omaha World-Herald (and also have a digital subscription).

On the one hand, the desire to protect content is noble. 

On the other hand, it has a “limiting effect” on the impact and influence a news organization has within a community. It might not seem that way initially, but the long-term effect basically reduces the influence of a publication when people can’t easily read an article shared via Facebook, Twitter, or other social media outlets. You see the comments on articles shared on the Omaha World-Herald's Facebook Page.


It is a harsh reality, but a reality that news organizations share. The quest to keep dollars flowing is just as vital as keeping eyeballs reading. While paywalls might stir up cash in the short term — or at least give value to a print subscription — such efforts thwart readership. 

If I am a media relations professional trying to get coverage via local news outlets, I have to start asking myself how valuable it is to get an article about a business/organization in daily newspapers if the only people who see it are print/digital subscribers behind a paywall. 

Just follow some of the “influencers” on YouTube if you want to see how corporate communications strategies have changed. YouTubers like Casey Neistat regularly pimp products from companies like Samsung — essentially paid-for promotions that reach millions of viewers. 

It doesn’t matter if the content lacks polish or sophistication. Editorial purity isn’t the goal. For advertisers, eyeballs are king, and the kingdom is being run by common folk with clickbait content. 

When you get down to brass tacks, it is a sobering proposition for society...and for the future. 

It’s very possible the situation has no fix. It’s as if the playground teeter-totter has fallen too far to one side, with no capable partner on the elevated end to weight the apparatus back into balance.

Part of the reason I have this blog is because I feel an odd sense of responsibility to bring well written and thoughtful pieces to the endless sea of crowd-sourced content. My goal isn’t to change the world — nor is it to become some advocacy bulwark. I just figure information-hungry people could do a lot worse. Might as well put that journalism degree to use. 

As time moves on, we have to hope there are others who share this same sense of duty.




Friday, May 5, 2017

These Kids are "Sharp...Cheddar Sharp"


My favorite classes in school were those that were skill-based -- courses requiring the use of mechanical skills to create something. 

The photography class Bridget and I took at the University of Nebraska at Omaha ranks near the top of my list. This was before digital cameras permeated our culture. Everything was shot on Kodak T-Max 400 film. I captured my pics on a manual-focus Pentax camera my dad purchased for me. 

The course required us to develop our own film, then use those negatives to create black-and-white prints in the darkroom located in the Weber Fine Arts Building. 

As far as I'm concerned, it was the best class I took during my time at UNO. 

THE NEXT GENERATION OF CREATIVES ...

My niece Julia has had a good time taking a similar type of course at the Omaha Public Schools Career Center (located in the former Omaha Technical High School building). 

She is taking Digital Video Production. The course allows Julia and her fellow students to learn the process of making movies in the digital realm. They write, produce, direct, act, shoot and edit their projects with a team. Julia has had the opportunity to learn the tools of the trade, and discover the ins-and-outs of using Adobe Premiere Pro CC to edit and finalize her films. 

As a graphic designer, I'm excited that she has the opportunity to experience the sort of "hands on" learning that is too often shrugged off in favor of a theory-based "college prep" curriculum. 

LOAD UP THOSE PEZ DISPENSERS

Julia and her fellow students had the opportunity to compete in the first-ever Omaha Metro High School 7-7-7 Film Championship. 


The competition was an opportunity for local high school film students to try their hand at making a seven-minute (maximum length) film in seven days. There were seven challenges included in the task (example: the students had to include a Pez dispenser in some creative way).

The competition culminated with the "7-7-7 Screenings & Awards Showcase" (their own low-key version of an Oscar ceremony) at the Durham Museum on May 2. 


HOW DID THEY DO? 

Julia's team created the film "The Robbery" -- a comedy about a nighttime heist in surburbia. She told me that the scripts of her two teammates (the two male stars of the film) were combined together to create the overall narrative structure (along with a dose of improvisation during the process). 

She wasn't sure how her team would fare, but the group finished in 6th place in the overall standings (out of 21 teams). 


Here is the film. Our Oldsmobile Alero -- which Bridget let Julia borrow -- makes an appearance in the film:


These students are really talented, and I think they created a story that was funny and "cheddar sharp" (to reference a line from the film). 

In addition to "The Robbery," the other projects screened on May 2 featured some inventive stories and skilled production work. 

The top finisher ("Best of Show") in the competition was a thriller titled "Memorandum." The team who produced the film is also part of the Digital Video Production program at the OPS Career Center. 

Their film is dark, brooding and visually compelling. Take a look:


The video was also honored for "Best Use of #7" in the competition (another one of the 7 challenges filmmakers had to incorporate in their production). 


What's impressive about these projects is that the students were dealing with difficult time constraints and requirements (considering all the other coursework busy high schoolers have to focus on in a given week). 

The film "Sweet Love of Mime" was one of my favorites. The team from Westside created a cute vibe and a whimsical style for their entry, and the team finished in 3rd place:


It was fun to see how the students included Pez dispensers in their videos. This team (also from Westside) won the award for "Best Use of Prop" and finished in 4th place:


JUDGE FOR YOURSELF

You can see all the award winners in the Omaha Metro High School 7-7-7 Film Championship on the 777 Films YouTube channel:

https://www.youtube.com/watch?v=sCCponjkUso&list=PLOtgLRiIz5pUTqSKIGN3IB9qqPCIjwCMR


I know that these talented filmmakers would love it if you checked out their creative efforts. 


Check out the previous blog post: Omaha Needs a Jolt

Thursday, December 8, 2016

The Return of an Old Favorite

History is littered with the corpses of products that are no longer made.

Some of them have been rescued from the chopping block at the eleventh hour (Hostess/Twinkies), while others have been resurrected from the ashes. This is one of those stories.

The tale begins in May 2015. Bridget was scrolling through Facebook, as she too often does ... and came across a post that sent her clicking through to IndieGoGo -- which, if you're unfamiliar with it, is a crowdfunding site.


A favorite from -- well, not childhood, exactly, but young adulthood for sure -- was coming back -- if it got enough support.

The thought of an ice-cold bottle of Wild Cherry Clearly Canadian was enough for her to pull the trigger.



She ordered a single case (12 bottles). For $30, she was in. It was May 27, 2015.

But that was just the beginning. Not long after she ordered, FoodandWine.com published an article about the old favorite's return:
Clearly Canadian Is Back in Production, Set to Arrive By August

But clearly, it wasn't that easy.

As detailed on the Clearly Canadian Facebook page, problems ranged from their original bottler shutting down to the final issue -- a delay in receiving the shipping boxes. Angry crowdfunders whined, complained, made threats, and cajoled. Early on, a single Facebook admin deftly responded to the replies. Later, Bridget read that a team of volunteers had taken on the task. Still, it was a difficult task -- appeasing customers who had waited years -- in almost all cases -- for the product they had ordered (actually, to be fair, on a campaign they had funded…they knew it wasn't like ordering a case from Amazon).

It's in such demand, in fact, that a single case of Wild Cherry Clearly Canadian was -- as of this writing -- available on eBay for $200. That's crazy. But that's how desperate some people are to get their hands on this clear elixir. (To be fair, that case hasn't sold yet. But that's what they're selling it for!)



All was forgiven late Tuesday afternoon when the UPS truck pulled up in front of our door.

This is what the box looked like:


It included these clever hashtags:


... which Bridget couldn't wait to tweet about:



I then proceeded to unbox it:


And then we took photos of the bottles before trying it. Wild Cherry had always been her favorite flavor. Clearly Canadian will be produced in five flavors: Wild Cherry, Mountain Blackberry, Country Raspberry, Orchard Peach, and sparkling water.

Love the logo!

The distinctive glass bottles were back!
The manufacturers said they could have chosen plastic bottles,
but that wouldn't have been authentic to the brand. 

Bridget said it was as good as she remembered. I'm writing this on Day 3 after receiving it, and we still haven't finished the remains of the first bottle. We're savoring it.

Because Clearly Canadian isn't back in stores yet.

That's their next step. They are asking supporters to give this flier (below) to local grocery stores and big box retailers. National distribution is the plans.

But it might be a little while before the distinctive glass bottles make their way to your local Wal-Mart or Hy-Vee store. After all, it took just about 18 months to fulfill our IndieGoGo order. Bridget hopes they'll have it in Omaha by the time the pool opens next summer. Because there's nothing that says "young adulthood + summer" like Clearly Canadian.


Enjoy this early 1990s Clearly Canadian commercial. The YouTube caption says it was one of the first full CGI commercials that ran on television.



Check out my previous blog post: Arrival: The Latest Sci-Fi Escher Puzzle