Monday, April 7, 2025

Book Review: Brad Thor’s “Blowback” is Full of Contagious International Intrigue



By Jon Brooks 

“Talk about blowback. Every single move we make, whether successful or not, seems to come back to bite us in the ass twice as hard.” 


Five years ago, I reviewed Brad Thor’s novel “State of the Union” (read my review). 


At the end of that review, I said that I had started the “first few chapters” of the next sequential novel in his venerable Scot Harvath series — “Blowback” — and to stay tuned for my review. 


It dawned on me a few weeks ago that I hadn’t ever read beyond those first few chapters. As such, I had never written the review. 


Do you ever have that happen — you start a book, things come up, you set it aside, and before you know it, five years have passed?  


It is especially difficult as it regards “series fiction.” As a reader, it can be daunting to dive into a new series you haven’t read before. 



You sometimes find yourself looking at a massive bibliography of 20 or more books wondering how you will ever get caught up. 


But I figured “one foot before the next,” and decided to “restart” Thor’s fourth novel “Blowback,” knowing full well that five additional novels have been released since I had initially started that book five years ago. 


Talk about feeling like a hamster running on a wheel…  


“Blowback” follows counterterrorism operative Scot Harvath as he trots across the globe hunting down the origins of a mysterious virus that has deadly consequences — namely for those individuals not of the Muslim faith. 


(It dawns on me now that I originally started “Blowback” in February of 2020. Considering how things were going at the time, it’s entirely possible I wasn’t in the mood to read a book about a life-disrupting virus. Go figure… ) 


Anyhow, that “hook” is what propels the narrative forward in “Blowback.” 


It certainly is an intriguing question: “How can people of a certain religious persuasion be immune to a particular virus, while it is ‘one hundred percent lethal’ to everyone else?” 


It kind of sounds like something out of an Indiana Jones movie, or one of Clive Cussler’s Dirk Pitt novels. 


While authorities are pondering this new contagion, Harvath’s career is in turmoil due to the fact that he is caught on camera beating up an “innocent” Baghdad fruit stall vendor he believed to be terrorist Khalid Sheik Alomari. 


Harvath — formerly a Navy SEAL and Secret Service Agent — works for the president’s Office of International Investigative Assistance (OIIA). While he can’t be easily identified in the footage, forces soon start aligning against the administration. 


His future with the Apex Project (the name for all the off-the-books operations he participates in with the Department of Homeland Security) is in jeopardy. 


A feisty senator named Helen Remington Carmichael (who has her eyes on the Oval Office) sees the controversy as a wedge issue she can use to discredit President Rutledge. 


The Arab world also expresses concern about Harvath’s tactics. 


To add to the intrigue, it is soon posited that Alomari might be connected to the virus in some way, shape, or form. 


“The sooner we get this moving, the better off we’re all going to be.”


Before we know it, Harvath is on the case, jetting overseas, hunting for Alomari, and seeking clues to the puzzling virus. 


With the help of a London-based chemistry teacher named Jillian Alcott, Harvath starts to peel back the layers of a centuries-old mystery that holds the fate of humanity in its grip (with plot points that feel like they could have been found between the pages of a Dan Brown novel). 


Can Harvath figure things out before it is too late? Will humanity survive?


Thor knows how to weave together a topical espionage thriller set in a number of exotic locales. 


Prior to his writing career, Thor created and hosted the PBS series “Traveling Lite.”



Much of the action in “Blowback” takes place in Europe, and Thor’s details and anecdotes help define the reader’s sense of place. 


“Blowback” was published in 2005. The world has certainly changed in the past 20 years. 


Thor has discussed the evolution of his work in a number of media interviews and podcasts over the years. As reader habits change, Thor has tweaked his style to increase the page-turning pace of his novels. 


“Blowback” (like his first three novels) is full of rich details, intrigue, and action. 


You have to give Thor credit for taking a number of disparate threads and weaving them together in entertaining fashion. 


It was neat to see the author’s childhood fascination with Carthaginian general Hannibal on display in “Blowback.” Those details helped the novel rise above the typical thriller fare and gave the story historical heft. 


As is the case with all of Thor’s novels, the gear and weaponry add to the story’s authenticity. Whether he is describing mountaineering gear like a KIVA technical backpack, or discussing the finer points of the Aerotechnik Super Vivat Icarus motorglider, Thor’s details are top-notch. 


Overall, I really enjoyed “Blowback.” It is an intricate and fast-paced entry in his Scot Harvath series. 


Thor is one of the best plotters working in the genre today. “Blowback” illustrates his ability to craft clever stories.  


The last time I reviewed a Brad Thor novel I made a “grand proclamation” about wanting to finally get caught up on his novels during that particular year. 


That goal obviously didn’t go down the way I had planned. 


All I am going to say this time around is that I am looking forward to reading more of Thor’s novels. 


So stay tuned… 



If you would like to learn more about the world of author Brad Thor, visit his website at www.bradthor.com 


>> If you enjoyed my review of “Blowback” by Brad Thor, be sure to follow me on X/Twitter: @TheJonCrunch 


More Brad Thor content: 


> Book Review: “State of the Union” By Brad Thor 



Previous post: A Unique Protagonist and Snark Highlight Kyle Mills’ Thriller “Fade” 

Saturday, March 22, 2025

Book Review: A Unique Protagonist and Snark Highlight Kyle Mills’ Thriller “Fade”


By Jon Brooks 

“Kind of like Michael Jordan, but with a rifle instead of a basketball.”


For nearly a decade, writer Kyle Mills helmed the venerable Mitch Rapp franchise for the late Vince Flynn (who died of prostate cancer in 2013). 


Mills was a capable writer of the popular series, proving himself to be pretty prescient on a variety of geopolitical topics, and winning new fans in the process. 


I started reading Kyle’s novels in the 1990s (“Rising Phoenix” being the first). He cultivated a fairly diverse bibliography during that time, writing his own series, crafting various standalone novels, and working on “estate novels” for authors like Flynn and Robert Ludlum. 



When Mills announced that he’d be moving on from the Rapp series (after spending nearly a third of his career at the helm), he said that his next project would be a follow-up to his 2005 thriller “Fade” (originally intended to be standalone novel).  


I recall asking Kyle at a book signing in Minneapolis for “Code Red” in 2023 (his final contribution to Flynn’s series) when we would see his new novel featuring protagonist Salam Al Fayed. 



Kyle said that he was working on it, but needed to find a publisher.  


“Doesn’t all of your service to the Mitch Rapp franchise give you an automatic book deal with Atria?” I teased. 


(“Fade In” will be published by Authors Equity in July.) 


“Fade” was written at a time I (and many others) consider to be one of the “peak eras” for the book subgenre often referred to as the “political thriller” (authors like Flynn and Brad Thor came to the fore during the early aughts). 


“Fade” follows protagonist Salam al Fayed — a former Navy SEAL who (we learn in the novel’s prologue) was shot in the back at age 26 during a “street scuffle” during an operation. 


The character admits he was full of idealism in the early stages of the “War on Terror,” but became disillusioned after four years fighting the good fight. 


“He was now fairly certain that he killed men for the sole purpose of making a bunch of master’s degree-wielding men in Washington feel like they were doing something.


This is a common dilemma for “tip of the spear” types in this genre. 


A hallmark of the political thriller is the protagonist’s “dual struggle” against enemies abroad and enemies on the home front. 


It isn’t quite what Kurt Vonnegut described as “a man without a country,” but the characters seem to be lone wolves nonetheless. 


Al Fayed (who goes by the nickname Fade, based on his ability to “disappear into the background and slit your throat”) sacrificed for his country. 


After his time in the Navy, he had a stint with the CIA, and was an enforcer for the Colombian cartels. But, as the novel begins, he is living a solitary life in the rural confines of Virginia, idling away his days woodworking (a hobby shared with the author). 


The bullet is still lodged in his spine. 


A doctor in California was ready to try an experimental procedure to remove the bullet, but the government — a government Fade served honorably — was unwilling to pay for the procedure. 


We learn during the opening pages of the novel that the injury is now too far progressed for surgery. Al Fayed will eventually suffer from permanent paralysis as a result. 


When former colleague and friend Matt Egan tries to pull Fade out of retirement and into a new division of Homeland Security — called the Office of Strategic Planning and Acquisition (tasked with “a more surgical approach” to protecting the interests of American citizens abroad) — our protagonist is thrust back into a world he was all-too-willing to leave behind. 


Fade rebuffs Egan’s overtures. 


Despite his protestations, a bureaucrat named Hillel Strand is unwilling to take “no” for an answer. Strand is willing to go to extreme lengths to see that Fade is pulled back into service. 


Before we know it, all hell breaks loose. 


Our hero soon finds himself on the run, hunted by local and federal law enforcement. To make matters worse, his health is steadily deteriorating. 


With forces beyond his control closing in, Fade has to do everything in his power to survive. 


Mills does a good job painting his characters with depth and dimension.


Salam al Fayed is one of the more original protagonists I have read in this genre. He was born to a first-generation Arab Christian family in New York and his Arabic is “near perfect.” His has no siblings, is unmarried, and his parents are dead as events unfold in “Fade.” 


The unique existential crisis our protagonist faces propels the story’s narrative forward. 


And the character’s cynical nature allows the author to sprinkle snarky humor throughout.


Fade also employs a number of interesting “tools and techniques” as he fights to survive. 


When I started the novel, I can honestly say I would have never expected to see a tricked-out vintage Cadillac with an ejector seat weave its way through the pages, but Mills was audacious enough to make that happen. 


Another fun character we meet along the way is plucky police detective Karen Manning, a SWAT team leader who is investigating a serial killer known as The Collector. She crosses paths with Fade, and the interplay between the two is enjoyable in the novel. 


Matt Egan kind of reminded me of Vince Flynn’s character Mike Nash. Egan is a family man who seems, in many respects, just as cynical about his bureaucratic overlords in D.C. as al Fayed is. 


But unlike al Fayed — and like Flynn’s Nash — Egan has chosen to play the political game in our nation’s capital. 


With a family to take care of, Egan has more responsibility, and more in life to lose.


“The world needs people like you to make it worth living in. But it also needs people like me to make it possible to live in.”  


The family aspect is one of the things that makes Egan more than the typical pencil pusher featured in these types of stories. In particular, I enjoyed his wife Elise and daughter Kali (who the couple adopted from Vietnam). 


Elise is a musician (specializing in alternative music) who was called “America’s most gifted songwriter” by Spin magazine. 


The dichotomy at play between husband and wife is interesting throughout the novel, and avoids the stereotypical tropes of this genre.  


The two make for a peculiar couple, but somehow it works.


Overall, I had a good time reading “Fade.” 


As Mills has stated in a number of interviews, “Fade” was originally intended as a standalone novel. 


He also mentioned in a video posted to social media that the upcoming “Fade In” will serve as a new starting point for the series (and that the first novel will serve as more of a “prequel” to things going forward): 



That said, it is a novel idea to bring back a protagonist after 20 years. 


Without giving anything away, al Fayed should be something of a “fish out of water” as it regards the world’s political climate, 20 years after the events in “Fade.” 


That should be fertile ground for Mills to explore some of the salient issues facing the world today in “Fade In.” 



It will be fascinating to see how Salam al Fayed maneuvers in a world that looks different than it did in 2005. 


If you’d like to learn more about Kyle Mills and his novels, visit his website at kylemills.com


>> Order your copy of “Fade” here

>> Pre-order your copy of “Fade In” here


>> If you enjoyed my review of “Fade” by Kyle Mills, be sure to follow me on Twitter/X — @TheJonCrunch



Previous post: Book Review: Jack Carr’s “The Devil’s Hand” is an Infectious Thriller