Showing posts with label Kyle Mills. Show all posts
Showing posts with label Kyle Mills. Show all posts

Tuesday, July 22, 2025

Book Review: Heroes Come Alive in “Fade In” by Kyle Mills


By Jon Brooks


Four months ago, I reviewed Kyle Mills’ 2005 novel “Fade” (read my review). 


Mills had announced a couple years ago that he was writing a new book featuring that novel’s titular protagonist. It was the direction he decided to go after helming Vince Flynn’s bestselling Mitch Rapp series for nearly a decade. 


Due to the fact that 20 years have passed since “Fade” was first published, Mills said this would be more of a “reboot” than a sequel to the first novel — something that could serve as a new starting point for readers (and a new starting point for the series). 


It’s a novel concept. It isn’t often that you see a literary protagonist exhumed by an author after being dormant for two decades. But that is the genesis of Mills’ new novel “Fade In.”


I was lucky enough to be picked to get an advance reader copy of “Fade In” as part of the Fade Nation ambassador program. 



“Fade” is the nickname of Salam al-Fayed, a former Navy SEAL who readers presumed was dead after the climactic events Mills’ 2005 novel


It turns out Fade wasn’t dead after all. 


He was in a two-decade-long coma in the hospital where he was shot. In the intervening years, doctors also removed a bullet that was lodged in his spine (an injury that made our hero question his existence in “Fade”). 


As a child of the 1970s and 80s, this sort of “resurrection twist” that was epitomized in primetime soap operas of the era (anyone remember “Who shot J.R.?”).


And since Salam al-Fayed has a retro vibe himself (he wears Looney Tunes boxers and favors musicians like Belinda Carlisle), it is only fitting that he’d find himself resuming his life in such a manner. 



Fade has spent his adult years as something of a fish out of water. And being “asleep” for two decades only enhances that aspect of our protagonist in “Fade In.” 


We have a character who hasn’t experienced all the socio-political upheaval the world has gone through the past 20 years. 


It certainly gives Fade a unique perspective on things. 


The events of 2005’s “Fade” found our protagonist on the run from law enforcement and the federal government. 


Death seemed like a reasonable option for a man who faced a debilitating injury and time in a jail cell. 


The early stages of 2025's “Fade In” focus on al-Fayed rehabilitating from his coma in a tranquil rural setting at Thompson Training and Rehabilitation. 


Fade has been given a fresh identity and a potent cocktail of fluids, medication, and chemicals (administered via ports put in his body) from a device referred to as the Mystery Machine. 


All of it is provided compliments of a wealthy technologist named Jon Lowe.


In social media posts, Mills describes Lowe as a “compilation of tech savants we’ve been seeing for years now, and a real-life friend who wants to act on a grand scale to improve the life of others.” 


The question is whether his motivations are pure, or if that much power is a catalyst for corruption to seep in — a point of ongoing debate in the book — and in today’s society. 


Lowe shares certain similarities with a character named Nicholas Ward, who was featured in the Mitch Rapp novel “Enemy at the Gates” (also written by Mills — read my review). 


In that novel, Ward is a wealthy entrepreneur who started a foundation designed to rid the world of its ills (the character was presented as sort of a cross between Bill Gates and Elon Musk). 


Lowe serves a similar purpose as the narrative unfolds in “Fade In.”


In the employ of Lowe is Matt Egan — a past colleague and “friend” of Al-Fayed’s, formerly with the Department of Homeland Security. 


Egan was a key character in the first novel, and we soon learn that his personal life has taken a turn for the worse. As such, Egan has become cold, distant, and difficult to get a read on. 


We soon learn Fade’s fancy rehab comes with a price. 


Egan has been tasked by Lowe to put together a special unit of enforcers to help facilitate the goals of Lowe’s organization… and they need Salam al-Fayed to be part of this “offensive capability.” 


Before we know it, our protagonist is thrust into a world of intrigue he never imagined possible. Fade is the proverbial “man without a country” — his future and the future of the established world order hangs in the balance. 


On a terrific episode of “No Limits: The Thriller Podcast,” Mills talks about al-Fayed’s evolution as a character and the impetus for writing “Fade In.” 


 


“I write books because there are subjects that interest me,” said Mills. “And all that technology that’s right around the corner, or maybe is being developed now or even implemented now…I love that stuff.” 


“It’s sort of like when I first met Tom Clancy. He’d go through, you know, Boeing’s financial statements. They would talk about projects and he would figure out what they were doing from all these different places and put it all together.” 


(FUN FACT: Kyle's father was the real-life inspiration for the character Dan Murray in Clancy's novels.) 



As it regards bringing back a comatose Fade for a new series, Mills said it “just took a few days and I was right back in Fade’s head. And he’s got the same sort of deadly skill set as Mitch Rapp, but from a personality standpoint, he’s like the polar opposite.” 


“[Fade] is a little bit of a pop philosopher. He’s obviously a little bit clinically depressed. Maybe has some substance abuse problems.”


Mills saw bringing back the character as an opportunity to explore some of the key geopolitical issues facing the world today. 


They also discussed the cover art for “Fade In” during the episode. 


Mills said the “gun consultant” he used for the novel gave feedback on the “crosshairs” featured in the design (and changes were made based on his input):  



“Fade In” works as both a sequel to the 2005 novel and a “fresh start” for a new thriller series.


(I enjoyed the pop culture references and the nods to “Mission: Impossible.”)


Compared to some of his contemporaries, the ambiguous and cynical nature of Mills’ protagonist better reflects the world we live in today (pretty cool considering the fact that Salam al-Fayed was introduced to readers 20 years ago). 


I’m excited to see where things go from here!! 


If you’d like to learn more about Kyle Mills and his novels, visit his website at kylemills.com


>> Order your copy of “Fade In” here.


>> If you enjoyed my review of “Fade In” by Kyle Mills, be sure to follow me on Twitter/X — @TheJonCrunch 


Previous post: Book Review: Brad Thor’s “Blowback” is Full of Contagious International Intrigue 

Saturday, March 22, 2025

Book Review: A Unique Protagonist and Snark Highlight Kyle Mills’ Thriller “Fade”


By Jon Brooks 

“Kind of like Michael Jordan, but with a rifle instead of a basketball.”


For nearly a decade, writer Kyle Mills helmed the venerable Mitch Rapp franchise for the late Vince Flynn (who died of prostate cancer in 2013). 


Mills was a capable writer of the popular series, proving himself to be pretty prescient on a variety of geopolitical topics, and winning new fans in the process. 


I started reading Kyle’s novels in the 1990s (“Rising Phoenix” being the first). He cultivated a fairly diverse bibliography during that time, writing his own series, crafting various standalone novels, and working on “estate novels” for authors like Flynn and Robert Ludlum. 



When Mills announced that he’d be moving on from the Rapp series (after spending nearly a third of his career at the helm), he said that his next project would be a follow-up to his 2005 thriller “Fade” (originally intended to be standalone novel).  


I recall asking Kyle at a book signing in Minneapolis for “Code Red” in 2023 (his final contribution to Flynn’s series) when we would see his new novel featuring protagonist Salam Al Fayed. 



Kyle said that he was working on it, but needed to find a publisher.  


“Doesn’t all of your service to the Mitch Rapp franchise give you an automatic book deal with Atria?” I teased. 


(“Fade In” will be published by Authors Equity in July.) 


“Fade” was written at a time I (and many others) consider to be one of the “peak eras” for the book subgenre often referred to as the “political thriller” (authors like Flynn and Brad Thor came to the fore during the early aughts). 


“Fade” follows protagonist Salam al Fayed — a former Navy SEAL who (we learn in the novel’s prologue) was shot in the back at age 26 during a “street scuffle” during an operation. 


The character admits he was full of idealism in the early stages of the “War on Terror,” but became disillusioned after four years fighting the good fight. 


“He was now fairly certain that he killed men for the sole purpose of making a bunch of master’s degree-wielding men in Washington feel like they were doing something.


This is a common dilemma for “tip of the spear” types in this genre. 


A hallmark of the political thriller is the protagonist’s “dual struggle” against enemies abroad and enemies on the home front. 


It isn’t quite what Kurt Vonnegut described as “a man without a country,” but the characters seem to be lone wolves nonetheless. 


Al Fayed (who goes by the nickname Fade, based on his ability to “disappear into the background and slit your throat”) sacrificed for his country. 


After his time in the Navy, he had a stint with the CIA, and was an enforcer for the Colombian cartels. But, as the novel begins, he is living a solitary life in the rural confines of Virginia, idling away his days woodworking (a hobby shared with the author). 


The bullet is still lodged in his spine. 


A doctor in California was ready to try an experimental procedure to remove the bullet, but the government — a government Fade served honorably — was unwilling to pay for the procedure. 


We learn during the opening pages of the novel that the injury is now too far progressed for surgery. Al Fayed will eventually suffer from permanent paralysis as a result. 


When former colleague and friend Matt Egan tries to pull Fade out of retirement and into a new division of Homeland Security — called the Office of Strategic Planning and Acquisition (tasked with “a more surgical approach” to protecting the interests of American citizens abroad) — our protagonist is thrust back into a world he was all-too-willing to leave behind. 


Fade rebuffs Egan’s overtures. 


Despite his protestations, a bureaucrat named Hillel Strand is unwilling to take “no” for an answer. Strand is willing to go to extreme lengths to see that Fade is pulled back into service. 


Before we know it, all hell breaks loose. 


Our hero soon finds himself on the run, hunted by local and federal law enforcement. To make matters worse, his health is steadily deteriorating. 


With forces beyond his control closing in, Fade has to do everything in his power to survive. 


Mills does a good job painting his characters with depth and dimension.


Salam al Fayed is one of the more original protagonists I have read in this genre. He was born to a first-generation Arab Christian family in New York and his Arabic is “near perfect.” His has no siblings, is unmarried, and his parents are dead as events unfold in “Fade.” 


The unique existential crisis our protagonist faces propels the story’s narrative forward. 


And the character’s cynical nature allows the author to sprinkle snarky humor throughout.


Fade also employs a number of interesting “tools and techniques” as he fights to survive. 


When I started the novel, I can honestly say I would have never expected to see a tricked-out vintage Cadillac with an ejector seat weave its way through the pages, but Mills was audacious enough to make that happen. 


Another fun character we meet along the way is plucky police detective Karen Manning, a SWAT team leader who is investigating a serial killer known as The Collector. She crosses paths with Fade, and the interplay between the two is enjoyable in the novel. 


Matt Egan kind of reminded me of Vince Flynn’s character Mike Nash. Egan is a family man who seems, in many respects, just as cynical about his bureaucratic overlords in D.C. as al Fayed is. 


But unlike al Fayed — and like Flynn’s Nash — Egan has chosen to play the political game in our nation’s capital. 


With a family to take care of, Egan has more responsibility, and more in life to lose.


“The world needs people like you to make it worth living in. But it also needs people like me to make it possible to live in.”  


The family aspect is one of the things that makes Egan more than the typical pencil pusher featured in these types of stories. In particular, I enjoyed his wife Elise and daughter Kali (who the couple adopted from Vietnam). 


Elise is a musician (specializing in alternative music) who was called “America’s most gifted songwriter” by Spin magazine. 


The dichotomy at play between husband and wife is interesting throughout the novel, and avoids the stereotypical tropes of this genre.  


The two make for a peculiar couple, but somehow it works.


Overall, I had a good time reading “Fade.” 


As Mills has stated in a number of interviews, “Fade” was originally intended as a standalone novel. 


He also mentioned in a video posted to social media that the upcoming “Fade In” will serve as a new starting point for the series (and that the first novel will serve as more of a “prequel” to things going forward): 



That said, it is a novel idea to bring back a protagonist after 20 years. 


Without giving anything away, al Fayed should be something of a “fish out of water” as it regards the world’s political climate, 20 years after the events in “Fade.” 


That should be fertile ground for Mills to explore some of the salient issues facing the world today in “Fade In.” 



It will be fascinating to see how Salam al Fayed maneuvers in a world that looks different than it did in 2005. 


If you’d like to learn more about Kyle Mills and his novels, visit his website at kylemills.com


>> Order your copy of “Fade” here

>> Pre-order your copy of “Fade In” here


>> If you enjoyed my review of “Fade” by Kyle Mills, be sure to follow me on Twitter/X — @TheJonCrunch



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