Showing posts with label Jack Reacher. Show all posts
Showing posts with label Jack Reacher. Show all posts

Wednesday, February 23, 2022

TV Review: Amazon’s “Reacher” Season 1 Gets It Right


“I didn't kill anybody. At least not recently, and not in this town.” — Jack Reacher in “Reacher”

Now this is more like it...  

A little over a decade ago, Bridget and I were eating at our favorite local Omaha Mexican eatery Señor Matias (since closed) when we learned that Tom Cruise would be playing Jack Reacher in a filmed version of Lee Child’s novel “One Shot.” 

We didn’t discover that piece of news while looking at our iPhones. Rather, Bridget and I were munching on some flour tortillas and salsa when a guy at the table behind us exclaimed, “Tom Cruise is not Jack Reacher!”

Tom Cruise doesn’t imbue the physical characteristics — or personality traits — that have made Child’s literary protagonist popular through 26 novels. 

Like many stars of the 1980s, Tom Cruise basically plays himself in most of his movies. 

That said, I really enjoyed 2012’s “Jack Reacher.”

The movie is imminently watchable and crafted to perfection. Much of that success has to do with the partnership between Cruise and writer/director Christopher McQuarrie — a partnership that has yielded “best in class” action movies like the three most recent “Mission: Impossible” films (read my review of “Mission: Impossible - Fallout”). 

Unfortunately, 2016’s “Jack Reacher: Never Go Back” missed the mark (likely due to the fact that McQuarrie wasn’t at the helm). As a result of the film’s lackluster response, the future of the franchise was in doubt. 

Then, a few years ago, Lee Child teased that he wanted to bring the titular character to a “binge series” for streaming. Fans were excited at the prospect. I am one of those fans. 

The first series of Amazon’s Prime Video’s new series “Reacher” is here at last. 

In this production, Jack Reacher is played by relative unknown Alan Ritchson. 


First things first. Ritchson looks like he could eat Tom Cruise as a mid-afternoon snack. He is a physical specimen whose size, stature, and look fit the way the character is described in Child’s novels. 

The 8-episode season is built around Child’s first novel, 1997’s “The Killing Floor.” Well-versed fans of the novels will also note that some of the flashback elements are pulled from the 2004 novel “The Enemy” (read my review) and the short story collection “No Middle Name: The Complete Collected Jack Reacher Short Stories” (read my review). 

While the adaptation paints outside the lines a little bit, it stays pretty faithful to the novel. 

The setup finds our hero — a former military police officer who roams the Earth like Caine in “Kung Fu” — arriving in the small town of Margrave, Georgia. The “Reacher pastiche” in the novels is that he goes wherever the spirit moves him (or wherever a friendly driver is willing to take him). 


Reacher is sitting down in a Margrave diner — ready to eat a piece of peach pie — when authorities arrest him for a murder that took place the night before. 

He is sent to prison with a local banker named Paul Hubble (Marc Bendavid) — a man who is scared of something and falsely confesses to the murder. 

It is such a deceptively simple way to start a story. That’s the genius of Child’s novels. His protagonist — inspired by fictional knight errants of yore — has found himself in the wrong place at the wrong time more times than he probably cares to remember. 

“Reacher” was created by screenwriter/producer Nick Santora. Santora serves as the showrunner and has worked on a number of popular shows like “The Sopranos,” “Prison Break,” “Law & Order,” and “Scorpion.” I recently reviewed Santora’s 2007 legal thriller “Slip & Fall” (read my review). 

Santora does a credible job crafting a series that is loyal to a fault. As the eight episodes rolled along, you could tell that every effort was put into capturing the magic that makes a Reacher novel so special. 

One interesting tidbit: This season of “Reacher” was filmed in Ontario. I Googled to see where it was filmed when I noticed a rack with hockey sticks in a garage during an episode — not a common sight in eastern Georgia. 


In addition to Ritchson, the show is well cast. I particularly liked the interplay between Reacher, police officer Roscoe Conklin (Willa Fitzgerald), and Chief Detective Oscar Finlay (Malcolm Goodwin) as they worked to uncover the bigger conspiracy at play in Margrave. 


The entire dynamic could have been nothing more than a series of heavy-handed, character-archetype clichés and tropes. The show’s writers instead chose to employ a “lighter touch” when it came to characterizations. For that, I am thankful. 


A lot has been made of the fact that Cruise didn’t fit the physical profile of Reacher in the novels. Those who haven’t read the books oftentimes think the criticism is overblown. 

The issue is that Reacher’s physical nature is part of the reason people underestimate his intellect in the novels. His foes assume he is a simpleton — solely based on his appearance. 

That was a key ingredient lacking in the Tom Cruise movies. I mean, Cruise looks like an Ivy League educated attorney in most everything he stars in. 

Alan Ritchson does a good job balancing both attributes of Reacher. I’ll admit, he was a little stiff at times, but that will ease with time. 

More often than not, filmed adaptations of books stray significantly from their source material. We’ve seen it happen time and again in recent years. 

So there was something refreshing about watching an adaptation that tried to hit all the notes. If you look at various reactions to “Reacher” online, viewers seem very pleased with the final product. 

I know I was happy with the first season. I think you will be too. 

Whether or not you are a fan of the novels, I encourage you to check out Amazon Prime Video's “Reacher.” It is a fun action thriller that offers a compelling mystery and interesting characters. 

I’m excited to see where “Reacher” goes from here. The series has already been picked up for a second season. I’m curious to see what book they use as the basis (I’d like to see “Persuader” used — read my review). 

If you enjoyed my review of “Reacher,” follow me on X/Twitter: @TheJonCrunch 


Additional blog posts on author Lee Child and Jack Reacher: 












Sunday, January 30, 2022

Book Review: TV Scribe Santora Tackles the Law and the Mob in “Slip & Fall”


“I was desperate and scared. I felt like I was all alone, in the middle of the ocean drowning.” — Rob Principe in “Slip & Fall”

Over the course of the last 33 years, I have collected a wide variety of novels. Hundreds. Some of those books rest on bookshelves. Most of them are stored in large, sturdy plastic totes in our basement. 

A few years ago, I came to the realization that I might not ever get to them all — a sobering thought as you reach your late 40s. I have books from the 1990s that are still on my “to be read” list. Some will eventually be sold or donated, but this year I want to try and tackle some of that back catalog — at least a few.  

The other night I noticed Nick Santora’s 2007 novel “Slip & Fall” sitting on a shelf in our bedroom. Santora is the screenwriter/producer involved with TV hits like “Prison Break,” “Law & Order,” “The Guardian,” “The Sopranos,” and “Scorpion.” The novel was a Borders exclusive when it was published 15 years ago (one of many marketing moves by the bookstore chain that ultimately failed to bear fruit). 

Santora is currently the executive producer and showrunner for the new Amazon Prime series “Reacher” — based on Lee Child’s popular novels. That tie-in (I like to be able to link to past blog posts in upcoming reviews) spurred me to dive into “Slip and Fall” so I could review it for my loyal readers! 

“Slip & Fall” tells the story of personal injury lawyer Robert Principe. Principe is an honest legal operator who owns a struggling, one-man law firm in Brooklyn, NY. 

Ethics are at the core of his practice. But after a lunch conversation with childhood friend Roland Cozzolino, a successful attorney who skirts the ethical line, Principe starts to doubt his philosophical underpinnings.

Cozzolino tells Principe: “You can bend the law like a pretzel, man. You just can’t break it.”

Facing mounting debt, a looming eviction from his brick row house, and a pregnant wife, Principe does something he once thought unthinkable. He concocts an insurance scheme (to make some quick cash) involving his cousin Jackie Masella, a wiseguy under the employ of mob boss Big Louie Turro. 

Principe never intends the scheme to be a long-term play, but soon learns that once you’re caught in the hip pocket of the mafia, it’s hard to extricate yourself. 

“Slip & Fall” is told from the first person point of view, and the entire narrative is presented through Principe’s eyes (his wry voice is pretty engaging). 

I’m a fan of that storytelling style, and Santora’s writing is fast and breezy (in the “Acknowledgements” section, Santora says the novel clocks in at around 77,000 words). 

Overall, “Slip & Fall” moves at a brisk pace. As a result, there isn’t a lot of time to do a “deep dive” into some of the finer plot points. In particular, I would have liked to see Principe’s relationship with his wife Janine fleshed out a bit more.  

I’m also not sure how authentic some of the “legal wrangling” is in Santora’s novel, but as a fun “beach read,” it works well. 

Back in the 1990s, I read quite a few legal thrillers. John Grisham was in his prime, and stories about characters grappling with daunting legal issues proved a potent mixture for thrillers in that era. 

I’ll admit, it has been a while since I’ve picked up a legal thriller to read. In many respects, the mid-2000s “Slip & Fall” is a throwback to that 1990s golden era. 

In this 2007 promotional video from Borders (don’t you love how nothing ever dies on the Internet?), Santora discusses his book and talks about how the characters in the novel are based on people in his life: 


(The way Rob Principe describes himself physically in the novel makes him seem like a dead ringer for Santora.) 

Overall, I was entertained by “Slip & Fall.” While the novel doesn’t rank among the best legal thrillers I’ve read, it does remind me of what I enjoy about the genre. 

Original hardcover copies of “Slip & Fall” are hard to come by, but a softcover version was published in 2012 and is available on Amazon

Wednesday, December 29, 2021

Book Review: Tech at the Center of “The Sentinel” By Lee Child and Andrew Child


“I’ve been in trouble before. I survived. And right now I have bigger fish to fry.” — Jack Reacher in "The Sentinel"

In early 2020, author Lee Child (née James Grant) announced that his brother (author Andrew Grant) was going to take over writing duties for the Jack Reacher series. 

I recall having mixed emotions at the time. I talked about the change in my review of Child’s 24th Reacher novel “Blue Moon.” Child mentioned that he and his brother would collaborate on the next few books together — before Andrew took charge of the series. Due to the fact that I was pretty underwhelmed by “Blue Moon,” I was worried that perhaps the pair was already collaborating. 

I just finished reading the first novel in this new arrangement, titled “The Sentinel.” Andrew Grant — an established author in his own right — is now credited on the cover under pen name “Andrew Child.” 

I’ve previously reviewed eight Reacher novels on this blog (as well as the short story collection “No Middle Name”). For some reason, I put off starting “The Sentinel” for more than a year after its initial publication. 

I think I was worried about the transition to a new writer (even if that writer came from the same gene pool as Lee Child). I know there have been various series over the years that have seen writer transitions such as this (some more successful than others), but there is such a distinctive personality to a Jack Reacher novel — in terms of characterization, story structure, and writing style — that I was worried I’d be disappointed. 

Let me say first off that “The Sentinel” is a far stronger entry in the Reacher lexicon than 2019’s “Blue Moon.” It has a vibe that feels authentic in the Reacher universe. 

This time out, Reacher finds himself in the small town of Pleasantville, Tennessee, after successfully guiding an insurance negotiator (who was driving around lost in Nashville) to an I-40 onramp. 

At first, I thought naming a sleepy little Tennessee burg “Pleasantville” was an uninspired choice (considering the fact that it is the same name as a 1998 movie starring Tobey Maguire and Reese Witherspoon), but it turns out there is actually an unincorporated community in Tennessee called Pleasantville. 

(While I thought naming a pair of fictional towns “Hope” and “Despair” in the novel “Nothing to Lose” was a tad bit hokey, at least it felt more original than “Pleasantville.” But I digress... )

The unassuming Reacher soon finds himself embroiled in a mystery shortly after his arrival at a Pleasantville coffee shop (a situation that is de rigueur for the former military police officer). 

Reacher stumbles upon a man departing the coffee shop named Rusty Rutherford — a local IT specialist. 

Reacher pays the man no mind, but soon “a signal from some ancient warning system in the back of his brain” causes his interest to ratchet up. 

His keen intellect detects a coordinated attack unfolding to snatch Rutherford (involving two men and a woman). Reacher’s MO is to help the unwary stranger.  

In mere moments, Reacher finds himself running afoul of those attempting to ambush Rutherford as well as the local constabulary. All parties seem anxious to shoo Reacher out of town. 

But our hero is persistent. 

Reacher learns that Pleasantville has been hit by a ransomware attack, and Rutherford (the town’s recently terminated IT manager) is being blamed. 

Despite Rutherford’s urging, government officials failed to invest in a more robust IT infrastructure, making the town a “soft target” for hackers and bad actors. Instead of using Rutherford to help solve the attack, the town has turned him into a local pariah — despite his intricate knowledge about such security breaches. 

All of this sets into motion a mystery wrapped in a conspiracy that has its tentacles winding beyond the boundaries of Pleasantville.

In the middle of the storm is our luddite knight errant, Jack Reacher. 

In a two-part interview with The Crew Reviews about “The Sentinel” (watch Part 1 and Part 2), Lee Child hinted that he was handing writing duties over to his younger brother because he wasn’t equipped to keep Reacher fresh for a younger audience. 

You can definitely see attempts to try and infuse more of today’s technology into “The Sentinel” — we even see Reacher nudged into using a cell phone. I don’t know for sure if Lee and Andrew intentionally went with a more “tech-heavy” focus to appeal a more “tech-savvy” audience or not, but it made me wonder. 

For the most part, the tech-based plot worked. There were some instances (such as a few too many successful attempts at cracking 4-digit security codes) that pushed the boundaries of “willful suspension of disbelief.” 

It is a trait that is fairly common with modern thrillers, so it is a minor quibble. 

To be honest, I prefer my Reacher novels to be less tech heavy. That’s the joy of this series. And I’m speaking as someone who has spent a significant portion of his adult life building websites and crafting promotional efforts online. 

I feel that technology has become something of a crutch when it comes to storytelling these days (and in many entertainment properties, computers have turned into “deus ex machina” plot devices that make detective work far too easy). 

One interesting note: In the earliest passages of “The Sentinel,” we find Reacher aiding a Nashville-based band that has been cheated after a gig by bar owner named Derek Lockhart. 

It almost seemed as if that was going to be the circumstance Andrew Child used to set the story in motion (I could have seen a scenario where Reacher unearthed some sort of conspiracy involving an organized crime ring helmed by Lockhart... or something of that nature). It ultimately turned out to be unrelated to the rest of the novel... 

I had a good time reading “The Sentinel.” While it might not rank among my favorite Reacher novels, it was a fun read that felt at home with the rest of the series. I’ll be interested to see how Reacher evolves as Andrew Grant’s influence is reflected in upcoming stories. 

Overall, I am happy the series is continuing and I think things are in capable hands. 

In other Jack Reacher news...

The new Amazon Prime Video series “Reacher” is set to drop on the streaming service Feb. 4, 2022. The first season runs eight episodes and is based on Child’s first novel “The Killing Floor.” 

I’m looking forward to the show and think actor Alan Ritchson embodies the Reacher look. It will be interesting to see if the overall execution of the show itself is as solid as Amazon’s other book-based detective series “Bosch” (read my 2018 post “You Should Be Watching Amazon’s ‘Bosch’”). 

>> If you enjoyed my review of “The Sentinel” by Lee Child, follow me on X/Twitter: @TheJonCrunch 

Here is the teaser trailer for “Reacher”: 


Additional blog posts on author Lee Child:












Monday, January 27, 2020

Review: Lee Child’s “Blue Moon” (Plus Thoughts on His Brother Taking Over the Series)


I guess I should have known something was amiss when I started Lee Child’s 24th Jack Reacher novel “Blue Moon” a few weeks ago. 

I can’t quite put my finger on why I felt that way as I plunged into the narrative. For some reason, the “feel" just seemed different than your typical Reacher novel. 

As I flipped the pages, I wondered if Child was intentionally shaking things up, or if he’s just run out of steam (more on that later). 

Readers of this blog know how much I love Child’s Jack Reacher series. Each novel in his library is the literary equivalent of a hearty breakfast of fried eggs, bacon, hash browns, and black coffee (a meal dependably served at diners across the fruited plain — favorite haunts for Reacher). 

I’ve read the entire series over the past 14 years, and have reviewed seven Reacher novels (and a short story collection) since I started this blog in 2016. I also covered Child’s appearance at the University of Nebraska at Omaha in 2018

“Blue Moon” started off dependably. 

This time out we find Reacher traveling on a bus (something the former military police officer is apt to do) when he spots a fellow passenger scheming to rob a sleeping traveler who has an envelope full of money in his pocket. 

The bus is exiting the highway for its first stop of the day. Reacher (who has no place to be) decides to depart the bus at the depot. Curiosity is his motivation — he wants to see if the unwary passenger toting the money gets mugged. 

Reacher being Reacher, he helps thwart the mugging attempt. The man with the cash is older and he gets scraped up in the process. His right leg is sore, which makes it difficult to walk. 

The man’s name is Aaron Shevick. The cash is for a payment he needs to make at a bar before noon. 

Shevick doesn’t want to say what the payment is for, but our protagonist soon deduces the gist of the situation. Shevick owes money to a loan shark, and sold off his Chevy Caprice to raise the funds — hence the reason he was on the bus with Reacher.  

At first, Shevick shuns Reacher’s offer to help him walk to his destination, saying he can’t bring anyone along. But he soon realizes he won’t make it in time if he doesn’t get assistance walking (and the payment increases after 12 p.m.). 

Pretty intriguing setup, right?

I’m not going to give away any spoilers this review. 

The city they are in goes unnamed throughout the story, but it is shaped like a pear and controlled by the Ukrainian mob and the Albanian mob (with both crime organizations controlling separate halves of the city).

Reacher eventually learns why Shevick is indebted to mob loan sharks. We find out in fairly short order. We also learn that Shevick is married and has an adult daughter. 

Reacher wants to aid the Shevicks during their time of crisis. That effort eventually pits our hero against the Ukrainians and the Albanians — meaning Reacher gets himself embroiled in a full-on mob war. 

I’ll be honest, I found the reasoning behind Shevick’s money woes to be somewhat contrived. It’s not that the underlying reason lacked resonance in today’s society. 

Rather, the way it was presented didn’t seem particularly credible. At first, I thought it might be a “cover story” for the real reason the Shevicks were indebted to the mob. That, however, was not the case. 

As usual, Reacher stumbles across a number of interesting characters who weave their way though the narrative. 

Early on, Reacher meets a waitress named Abby Gibson. She works at one of the mob-controlled night clubs. Before we know it, Abby’s fate becomes intertwined with that of Reacher and the Shevicks. 

She wasn’t nearly as well developed as some of the other female protagonists Reacher has teamed up with over the years. 

Abby is friends with a couple of struggling musicians (Frank Barton and Joe Hogan) who assist Reacher along the way. 

One of the more interesting characters in “Blue Moon” is a former tank commander named Guy Vantresca. He's introduced to Reacher because his language skills are needed for the translation of Ukrainian text messages. 


Despite a number of “Reacher tropes” strewn throughout the “Blue Moon,” the whole is not greater than the sum of its parts. Therein lies my disappointment. 

A comment Abby makes during the story sort of sums up my feelings: “It’s like one movie is playing in slow motion, and the other one is running all speeded up.” 

Most authors of series fiction have entries that are better than others. That’s to be expected. 

A week ago (when I had roughly 50 pages left in “Blue Moon”), I learned on Twitter that Lee Child (whose real name is Jim Grant) is turning over the writing duties for Reacher to his younger brother, Andrew Grant (who will write under the pen name “Andrew Child”). 

Child, who is 65, told The Bookseller, that “I love my readers and know they want many, many more Reacher stories in the future. I would love to make that promise, but realistically I am aging out of being able to keep it up. A few more, maybe, but not many, many more.” 

Andrew Grant is 15 years younger than his brother. Child told The Bookseller, “we’re going to work on the next few together, and then he’ll strike out on his own.” 

This made me wonder if the two brothers had *already* collaborated on “Blue Moon” — maybe as a trial run for the shift in duties. 

I have no evidence of that, but the thought crossed my mind upon hearing the news.  

It is kind of sad that Lee Child will no longer be at the helm of the Jack Reacher novels. It is a terrific series and Reacher is one of the most compelling protagonists of our day. 

“Blue Moon” is fairly entertaining, but lacks the spark Child has consistently brought to the series. 

I found the story of competing mob bosses to be hard to keep straight at certain times. I would periodically ask myself, “Is this guy in charge of the Ukrainians or the Albanians?”

The notion that mob henchmen would be roaming every street of a sizable city — as if the 21st century is like Al Capone’s Chicago in the 1920s — lacked verisimilitude.

That’s why Reacher novels are typically best when they take place in small, rural places that lay off the beaten path. Tiny dots on the map don’t attract the attention of prying eyes. That’s what makes them terrific fodder for mystery and intrigue. 

Reading a new Lee Child novel is a highlight for me each year. My mom introduced me to the series in 2006, and I’ve enjoyed following the exploits of Reacher ever since. 

The next Reacher novel will be titled “The Sentinel” and it will be published on Oct. 27, 2020. 

“The Sentinel” will apparently see Reacher in Nashville, Tennessee, aiding a music band that has been cheated by a local bar owner. 

I hope Andrew Grant is able to get the series traveling in the right direction. So much of Lee Child is infused into Reacher. It'll be fascinating to see where things go from here. 

>> If you enjoyed my review of “Blue Moon” by Lee Child, follow me on X/Twitter: @TheJonCrunch 

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