Friday, January 24, 2020

OPC Noon Forum: “And The Floods Came - Nebraska 2019”


And the rain fell, and the floods came, 
and the winds blew and beat on that house, 
but it did not fall. 
— Matthew 7:25 

My fellow Nebraskans will remember the storm that paved way for historic flooding in our state in March 2019. 

I am writing this blog post on Jan. 23, 2020. Forecasters are already talking about the potential for flooding in our state as ice on vital waterways thaws this spring. 

The storm system that hit the state mid-March 2019 has been described as “historic.” The snowfall was particularly troublesome in the northeast part of Nebraska — and had tragic effects for a significant number of communities located near the Niobrara, Platte, and Missouri Rivers. 

The storm was referred to as a “mid-latitude cyclone” (or “bomb cyclone”), bringing strong winds and precipitation. This particular storm strengthened rapidly. 

The weather system brought wet snow, rain, and 40 to 60 mph winds. The lingering snow and ice from February didn’t help matters. To at insult to injury, the ground was frozen, meaning the earth couldn’t absorb the additional moisture. 


The results proved devastating for a number of towns, villages, and hamlets strewn across the eastern part of the state. The communities impacted included a number of familiar places within spitting distance of the Omaha metropolitan area. 

Nature’s destructive power also decimated smaller communities located off the beaten path, in remote parts of the state. Homes and businesses were lost, dams disintegrated, and vital roadways were washed away. 

NET Nebraska produced a terrific documentary called “And The Floods Came” that chronicles the influx of moisture. The film is available on the NET Nebraska website, the PBS app, and NET’s YouTube channel. 

Here is the full documentary on YouTube:


“And The Floods Came” was the subject of the Omaha Press Club’s Noon Forum on Jan. 23, 2020. NET Senior Producer Bill Kelly presented the documentary and discussed its production with attendees. 


“Many media organizations had difficulty getting around the state,” said Kelly. “In this day of reduced media resources, there weren’t as many boots on the ground.” 

As a result, NET culled footage taken from a variety of sources, including video shot by residents, businesses, and emergency service personnel in the communities that experienced the brunt of the flooding. 


“There were 53 individuals and businesses that you saw their footage,” Kelly said about the finished documentary. “There were 100 to 150 others that contributed.” 

"I’m proud of that, but I also think it’s a real interesting sign of how, for journalists, storytelling is changing. It’s just people who are, in effect, taking home movies, but they don’t realize how important that is.” 

I’ve talked before on this blog of the role the responsibility people have — as “citizen journalists” — in today’s news cycle. The abilities that technology enables (compared to even a decade ago) allows for vital “man on the scene” content. 

I try to take photos and videos on my iPhone with a “landscape/horizontal” orientation because the image will be formatted properly for platforms like YouTube on 16:9 TV screens. 

Kelly concurs with that sentiment. 

“If you are ever in the middle of some crisis or big news event — or even with your own home movies,” said Kelly, “don’t ever shoot vertically (turn your phone and shoot horizontally).” 

“And The Floods Came” focused largely on smaller communities further afield from big population centers like Omaha. Among the communities featured were St. Edward (population 796), Verdigre (population 575), Lynch (population 245), O’Neill (population 3,705), and Dannebrog (population 303). 


Anthony Ruzicka — one of the farmers effected in the northern part of the state — described the floodwaters as looking like “an ocean.” 

The flooding impacted vital structures like Spencer Dam (providing hydroelectric power in Boyd County) and Cooper Nuclear Station in Brownville, NE (the largest single unit electrical generator in the state) where my brother-in-law is an engineer. 

In addition, the floodwaters impacted travel on Interstate 29 and Highway 75 for many months north and south of Omaha. 


Kelly wishes the documentary could have spent more time in Sarpy and Cass County (along the Missouri River). He made the decision to focus on smaller communities because he liked the idea of spending more time focusing on areas receiving less news coverage at the time (that needed the attention). Had the resources been available, he believes NET could have done an interesting 90-minute program.

My friend Christopher Marlowe (a high school classmate) runs Marlowe Family Farms — a sustainable farming operation in Anoka, NE. His home and business suffered when Spencer Dam was destroyed during the 2019 floods (the damage took out the rural water pipeline that supplied Boyd and Holt Counties with water). 


Bridget set up a GoFundMe to help with Marlowe’s rebuilding efforts. Specifically, the fundraiser was put together to rebuild a dam on Marlowe’s property in conjunction with the USDA’s Natural Resources Conservation Service–Nebraska (NCRS). The NCRS picked up 75 percent of the cost, but Marlowe had to pick up the other 25 percent (~$5,000). The fundraiser is designed to help with that expense.

“Our state did a pretty remarkable job,” said Kelly. “The federal government did step up. There was a lot of grumbling, but they did step up.” 

Bridget and I donate annually to NET Nebraska and enjoy seeing important programming like “And Came The Floods” on our PBS affiliate. This sort of in-depth coverage (that goes beyond the soundbite) is a meaningful resource in our world today. 

The destructive effects of the 2019 floods are still being felt in Nebraska. Entire towns still can’t be occupied (Winslow, NE is looking at relocating the whole town). In addition, sand transported by floodwaters has made certain lands "un-farm-able."

“And The Floods Came” is a documentary reminding us all that nature’s destructive power can last for generations. It also illustrates how communities — with a unified purpose — can rise to the occasion and lift up neighbors, friends, and family during a time of crisis. 

Thursday, January 16, 2020

TV Review: Amazon’s “Jack Ryan” Season 2 is a Successful Mission


“Jack Ryan” is back. 

When I reviewed the first season of Amazon Prime Video’s refresh of Tom Clancy’s venerable Jack Ryan franchise, I wrote: “Amazon’s new entry in the ‘Ryanverse’ is a mixed bag. The first half of the 8-episode season feels uneven and (at times) awkward.” 

As a result, it was with some trepidation that I went into the second season of “Jack Ryan.” 

This time out, Jack Ryan (John Krasinski) is working as a legislative fellow to Sen. Jim Moreno (Benito Martinez) and looking into “hinky” transactions involving Venezuela and Russia.

The backgrounder on Venezuela’s geopolitical importance is provided via Ryan lecturing an auditorium full of students on a college campus. 


I must say, Krasinski looks comfortable as a wonkish academic, something unexplored in the first season of Amazon’s reboot (Clancy’s original novels saw the character serving as a history professor at the U.S. Naval Academy).  

Ryan is curious about a cargo ship called the Almeta. The suspicious ship is in a port outside Caracas. Containers from the Almeta (and other Cypriot ships) have been moved into Venezuelan jungles — kept under guard by government soldiers. 

Ryan and Sen. Moreno (who was born in Barquisimeto, Venezuela) head down to Caracas on an official visit to see if they can learn more about the country’s ambitions. Venezuela is in the midst of a presidential campaign that sees President Nicolas Reyes (Jordi Molla) facing a tougher-than-expected challenge from protest candidate Gloria Bonalde (Christina Umana). 


Ryan’s former T-FAD boss Jim Greer (Wendell Pierce) is on a similar trajectory. At the start of the second season, Greer is in Moscow serving as the CIA D.C.O.S. (Deputy Chief of Station). He is attempting to determine if the Venezuelan shipments on the Almeta are tied to the launch of unregistered satellites in the South China Sea. 

A heart condition allows Greer to get reassigned to Venezuela. Ryan and Greer’s paths eventually cross at a hotel bar in Caracas. 


Converging plot points were a signature of Tom Clancy’s novels during his heyday in the 1980s and 90s. He was a master at juggling parallel story lines in his doorstop-size thrillers (an astounding skill considering the author didn’t outline his books).

I like that the creators behind “Jack Ryan” have attempted to bring an authentic Clancy feel to the series. 


The first crisis point of the second season kicks into gear when a convoy of SUVs (transporting Ryan and Moreno to the airport) is attacked on the streets of Caracas (in a sequence echoing a similar ambush from the 1994 movie “Clear and Present Danger.”)

What ensues over the next seven episodes is a multi-threaded story that has Ryan/Greer investigating the true nature of the cargo from the Almeta, watching a chess match unfold in the Venezuelan presidential election, and dealing with a mysterious German assassin named Max Schenkel (Tom Wlaschiha). 


Noticeably absent from the second season of “Jack Ryan” is Dr. Cathy Mueller (Abbie Cornish), an epidemiologist (eye surgeon in the novels) who served as Ryan’s love interest during the first season (the character was Ryan’s wife in Clancy’s novels).

The character isn’t referenced at all during the 8-episode run. Furthermore, Ryan has a one-night stand with a woman (who refers to herself in their initial encounter as Lina) named Harriet Baumann (Noomi Rapace).


While the story arc involving Baumann and Ryan develops a certain amount of intrigue (and has moments that feel like they stepped out of a “Jason Bourne” movie), the notion of a "boy scout" like Ryan sleeping with a random woman seems antithetical to Clancy’s source material for the character. 

It will be interesting to see if Cathy Mueller reappears in a future season, or if producers will be content with Ryan staying a bachelor. 

A story thread I particularly enjoyed involved CIA Special Activities Division (SAD) black ops operative Matice (John Hoogenakker). The character also appeared in the first season. 


Matice recruits a former Navy SWCC (Special Warfare Combat-Craft Crewman) named Marcus Bishop (Jovan Adepo) to drive a team up the Orinoco River (in Venezuela) on an ISR (intelligence, surveillance, reconnaissance) mission. One of the other team members — code-named “Coyote” (Allan Hawco) — gives Bishop the unwanted moniker “Uber.”  


The four operatives are there to assist in the investigation of the mysterious cargo containers. 

Matice eventually meets up with Ryan and Greer and quips, “I sincerely hoped I would not see you motherf*ckers again.” 


This particular plot line felt like it stepped off the pages of a Clancy novel. I really enjoyed how the team’s exploits meshed with overarching plot. 

In this iteration of the “Clancyverse,” Matice serves the narrative in a manner similar to the John Clark character in the books. 

(I figure we won’t see Clark in the Amazon series since Michael B. Jordan is playing the character in an upcoming “Without Remorse” movie for Paramount Pictures — slated for release Sept. 2020.)


One of the new characters I enjoyed was CIA Station Chief Mike November (Michael Kelly). 

November lended a certain amount of gravitas to the second season, and proved a solid ally for Ryan and Greer as they maneuvered around Venezuela. 


Moreover, the fact that November was divorced (twice) from the U.S. Ambassador to Venezuela Lisa Calabrese (Susan Misner) added an interesting dimension to the character. 

Overall, I found the second season of “Jack Ryan” to be much stronger than the first. I thought the storylines were more compelling this time out, and I appreciated seeing a political thriller in a unique locale (since so many espionage stories involve the Middle East).

The season had an attractive production value (it looked like they had a bigger budget this time out). In addition, the 4K UHD version of the series (that Amazon provides to Prime members) looked lovely streaming on my 50-inch Vizio D50-E1 via an Apple TV 4K. 


Krasinski continues to impress as Ryan. I look forward to seeing the character grow over the next few seasons.  

“Jack Ryan” Season 2 is a successful mission from start to finish. Definitely recommended.


>> If you enjoyed my review of “Jack Ryan,” follow me on X/Twitter@TheJonCrunch 


Sunday, January 12, 2020

TV Review: Netflix’s “Lost In Space” Season 2 Travels on a Solid Trajectory


In this binge-watching world we find ourselves living in these days, there is one streaming series that perpetually gets “lost" in the shuffle.

That series is Netflix’s “Lost In Space.” 

When the first season of “Lost In Space” debuted on Netflix in April 2018, Bridget and I were surprised at how compelling the 10-episode narrative proved to be. 


The series returned for a second season on Christmas Eve 2019. 

It is far too often that “edgy” becomes synonymous with “compelling” as it regards entertainment in the 21st century. 

That wasn’t the case when I was growing up in the 1980s. The beloved movies of that decade were productions that largely appealed to a wide swath of age groups and demographics.


The second season of “Lost In Space” picks up seven months after the climactic events in the first season. The Robinson family is “lost” on a planet in a different solar system (a fate that has its roots in events from the first season finale). 

The planet features large oceans and black-sand beaches. The family has set up their Jupiter 2 spacecraft on one of the beaches, and crafted a makeshift greenhouse to grow food. 


Filming for the exteriors took place in Iceland (a popular shooting locale featured in movies like “Thor: The Dark World”). 

It is Christmas Eve as the season begins. The date is significant. The event that caused the Robinsons to leave Earth in the first place (as part of the 24th Colonist Group) was “The Christmas Star” asteroid — which caused calamitous environmental effects.

We have a nice scene of our family enjoying Christmas Eve together in their spacecraft. They have a tree made of cornstalks and some of the planet’s luminescent moss.

Roughneck/smuggler Don West (Ignacio Serricchio) — a low-rent Han Solo-type — is celebrating with them. Unstable con-artist Dr. Smith (Parker Posey) is being kept under lock-and-key after her shenanigans in the first season. 

It’s a nice sequence that sets the tone for the new season, and “re-introduces” fans to the core cast of characters. 

One of the gifts presented during the scene is a memoir Penny (Mina Sundwall) wrote about the family’s adventures — that her brother Will (Maxwell Jenkins) bound into book form — titled “Lost In Space.” 


Penny serves as a nice juxtaposition with some of the other science and tech-minded characters on the show. As she writes in her memoir, “I don’t believe in things just because they make the equations add up.” 

I will say that 20 months was a long stretch between seasons. I had to go back and re-read my review of the first season to familiarize myself with it. 

Even so, I felt a bit “lost” during the early stages of the second season as a result. 

Netflix (to their credit) released a recap video featuring some of the show’s cast:


Despite having established a certain “comfort level” on the planet they are stranded on, a sequence of events (spurred by a breech in the greenhouse wall) causes the Robinsons to evacuate. 


Maureen (Molly Parker) has devised a method to harness the power of the planet’s recurring lightning storms (occurring every 23 days) to charge the ship’s batteries. That hypothetical soon becomes an “in the field” experiment when tragedy strikes their homestead. 


This forces family patriarch John (Toby Stephens) out of his comfort zone. He doesn’t want to risk the lives of the kids, and would prefer to stay on the planet another year. This is where the old adage “Man Plans and God Laughs” comes into play. 

It’s these sorts of no-win crisis points that make the story arcs in “Lost In Space” so compelling. As I wrote in my review of season 1: “It feels like the writers drew inspiration from films like ’The Martian’ and ‘Interstellar.’”


There are no easy solutions in this iteration of “Lost In Space.” Science, math, ingenuity, and know-how all come into play. 

Our protagonists (back in space) eventually make their way to the abandoned Resolute — the large transport ship that attempted to shuttle our colonists to Alpha Centauri during the first season — after they pick up the large ship’s audio signal in space. 


The visuals and special effects are once again top-notch — as they were during the first season. The overall production value of the “Lost In Space” series is quite handsome. 


It seemed like less time was spent “on location” in planet settings during “Lost In Space” Season 2. 

Significant plot lines take place on the Resolute. This was a change of pace from the “Swiss Family Robinson”-like exploits of the first season — where considerable time was spent in nature. I’d imagine filming on a soundstage is more cost effective than being on location the entire production.


That said, there are some entertaining sequences on a desert planet (which includes some visual FX action pieces involving creatures resembling the velociraptors in “Jurassic Park” and “Jurassic World”).  


I don’t want to dive too deep into major plot points and spoilers. 

In addition to the main storyline, there are some nice flashback scenes with John and stepdaughter Judy (Taylor Russell). 


These moments add texture to the family dynamic, and provide details on how Judy came to be with the Robinson clan — information that will assuredly come into play during the show’s third season. 

The character I enjoyed the most during the second season was Don West. Not only does he have some terrific one-liners, actor Ignacio Serricchio brings a lot of heart to the role. 


One of West’s best lines comes during a moment of crisis, when John and Maureen face certain doom (during the season’s ninth episode). 

Judy (a doctor on the mission) is caring for an ailing West when her parents make contact via her comm device. A woozy West removes his oxygen mask and says, “Is something wrong? Of course there is. I don’t even know why I ask anymore.” 

Moments of levity like this help ground the show. Science fiction is a genre that can suffer when it’s overly melodramatic. 


There are instances where some of the season’s antagonists come across as overly conniving. While that trait is expected with an unhinged player like Posey's Dr. Smith, it’s hard to understand why some of the others are so unscrupulous. Be that as it may, the writers do a fairly decent job of keeping things balanced overall. 

Speaking of Posey, her story arc as Smith was pretty intriguing during the second season. I was wondering what more they could do with her character (besides having her play the constant foil). 


Posey’s unsettling performance again provided an interesting dimension to the story. There were even some situations where Smith proved herself to be relatively heroic (even if she had an ulterior motive lurking beneath the surface). 

Overall, I found the second season of “Lost In Space” to be intriguing. 

If you’ve watched the first season, you’ll know what sort of territory to expect. If you haven’t yet plunged into the adventures of the Robinson family, it might be time to immerse yourself in the  Netflix reboot. 


As Penny writes: “This is the story of discovery, but not of strange new worlds. It’s about discovering what’s in the places you thought were empty. Sometimes, it’s the invisible force of my family pulling at me, even when I can’t see them, reminding me that I’m never really alone. And sometimes, it’s about discovering horrible monsters that want to bite your face off.” 


“Lost In Space” Season 2 builds on the promise shown in the first season, and sets a course for an exciting third season. I just hope we don’t have to wait as long this time around to see more of the Robinson family’s exploits on Netflix… 

Monday, December 30, 2019

My Top 10 Blog Posts of 2019


With 2020 nearly upon us, I thought I’d share “My Top 10 Blog Posts of 2019.” 

This list is based purely on traffic numbers for the posts published in 2019. As a result, some of my favorite posts didn’t make the cut. 

Keep in mind, the blog posts published earlier in the year have had the advantage of time as it regards overall views. (Sorry, Mandalorian.)

#1 - “BOOK REVIEW: CHIP DAVIS’S ‘THE WOLF AND THE WARLANDER TRILOGY’”


I enjoyed having the opportunity to read and review this YA fantasy series (about a wolf named Seti and a horse named Ghost) by Mannheim Steamroller impresario Chip Davis. In my review, I wrote: “‘The Wolf and the Warlander’ is an engaging fiction saga from one of this generation’s beloved musicians.” 

Not only was it my most viewed post of 2019, it is the second most viewed post *all time* on the blog:


#2 - “IS ‘FROZEN 2’ TRAILER BASICALLY A REMAKE OF ‘THE LAST JEDI’ TEASER?”


People probably wonder why I take the time to review trailers. First off, I’ve loved movie trailers since a young age. Secondly, sharing thoughts on trailers is content that is fairly easy to create. As I watched the Feb. 13 teaser trailer for “Frozen II,” it reminded me a lot of the teaser for “Star Wars: The Last Jedi”: 


#3 - “REVIEW: ‘COBRA KAI’ SEASON 2 IS AN EMOTIONAL KICK IN THE GUT” 


I absolutely adore YouTube’s “Karate Kid” reboot/sequel series “Cobra Kai.” The show has the ability to be poignant, sentimental, funny, and intense — all in a single episode. Ralph Macchio and William Zabka are brilliant reprising their roles as Daniel LaRusso and Johnny Lawrence. 

Well worth your time:

#4 - “LET’S TALK ABOUT THAT NEW ‘TOY STORY 4’ TRAILER”


As I mentioned earlier, trailer reviews seem to be pretty good fodder for blog posts, and my review of the second trailer for “Toy Story 4” apparently struck a chord with viewers.

(I’ll never understand why trailer reviews are sometimes more popular than my reviews of the movies they’re promoting, but here we are…)


#5 - “‘SURPRISE! WE’RE GOING ON VACATION!’ - DISNEY TRIP: PART 1” 


Our trip to Walt Disney World in Orlando, Florida, was definitely a highlight this year. You can vicariously enjoy the experience via my six-part series on the trip: 


Disney Trip: Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 

#6 - “BOOK REVIEW: ‘TRUE BELIEVER’ BY JACK CARR” 


Jack Carr is one of the best new thriller writers in the business today. His series featuring former Navy SEAL James Reece has become a favorite of mine.

In my review, I wrote: “Carr’s attention to detail in the novel is excellent, and his life as a former special operator lends authenticity to the story”:  


#7 – “THE OMAHA WORLD-HERALD: A LOOK INTO THE FUTURE”


An Omaha Press Club presentation (by OWH staff) regarding the future of Omaha’s venerable daily newspaper was the subject of a Jan. 17 blog post. If you are at all curious about the future of daily newspapers — and what lengths papers are going to attract and retain readers — you’ll want to check out my blog post:


#8 - “MOVIE REVIEW: ‘CAPTAIN MARVEL’” 


“Captain Marvel” didn’t rank as my favorite superhero movie in 2019. I wrote in my review that the movie “could have been so much more.” That said, I enjoyed the movie more on a second viewing. It stands as my most-viewed movie review of the year:


#9 - “MY SPOILER-FILLED REVIEW OF ‘AVENGERS: ENDGAME’”


My second most-viewed movie review of 2019 was “Avengers: Endgame.” I wrote that “I got misty eyed at several points during ‘Avengers: Endgame.’” 

I also suggested that “Feige & Co. were milking the poignant moments so the payoff at the end would be worth the wait. But it works. It always works in the Marvel Cinematic Universe.” 


#10 - “BOOK REVIEW: CONTAGIOUS THRILLS IN ‘VINCE FLYNN — LETHAL AGENT’ BY KYLE MILLS” 


Mitch Rapp has been like a rock for me (and millions of readers) when it comes to the world of kick-ass thriller protagonists. Author Kyle Mills has continued the series made popular by the late Vince Flynn. I love the results.

In my review I wrote: “‘Lethal Agent’ epitomizes the best the Mitch Rapp series has to offer. Mills gives readers a thrilling scenario with classic elements that will leave fans thirsting for more.” 

Bridget and I were both picked to be #MitchRappAmbassadors (for the first time) this year, and had the opportunity to read “Lethal Agent” in advance. 


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I just want to thank everyone who has taken the time to read and share my posts since I first started this blog in 2016. You’ll never know how much that means to me. The support of family, friends, and fans has made this blog a lot of fun. 

I also want to thank those who have provided me with books to review on the blog. It is an honor to be able to read these wonderful stories and share my thoughts with readers around the world.