Tuesday, February 13, 2018

You Should Be Watching Amazon’s “Bosch”


I consume a considerable amount of detective fiction. 

My love of the genre started when I was in third grade and I pulled the Hardy Boys novel “The Secret of the Old Mill” off a bookshelf attached to my bedroom wall in the two-bedroom apartment my family lived in at the time. 

I quickly became fascinated with the finer aspects of detective work, and enjoyed the various tropes the genre had to offer. This was the 1980s — a time when shows about private investigators and police officers dominated network television. 

One of today’s finest writers in the detective genre is Michael Connelly. His novels focusing on Detective Hieronymus ‘Harry’ Bosch are among the best procedurals — meticulous and authentic in their research, tone, and style. 

The first Connelly novel I read was “Lost Light” in 2003. I was immediately hooked. Connelly’s brooding, noirish feel harkened back to classic detective fiction. His main protagonist was incredibly compelling.

Amazon decided to turn the exploits of Harry Bosch into a TV series on its Prime Video streaming service a few years back. The first season of “Bosch” debuted in 2014, and Amazon just announced the fourth season of the show — set to drop on April 13, 2018. 


My wife and I love the series, and consider it to be one of the finest detective shows around. 

Here is the trailer for “Bosch” Season 4:


The show feels authentic (Connelly insisted they shoot on location in Los Angeles). The beating pulse of the series is provided by actor Titus Welliver, who plays the title character. 


Welliver’s portrayal of Harry Bosch is pitch perfect. While the intense detective is dogged in his pursuit of justice, he isn’t the pat “anti-hero” often seen in the genre these days. 

He’s hard-boiled without being overdone. 

There is a quiet intensity to Welliver that serves the series well. He might not be a performer you’re readily familiar with, but his work as a character actor over the years makes him instantly recognizable. 

In my mind, Welliver’s performance is Emmy worthy, and he should receive more accolades. He adds a certain edge to the character that is neither cliche, nor obtrusive in any manner. His version of Bosch is honed smooth like a fine blade.  


There are other notable performances in the cast. Jamie Hector is terrific as the unassuming Jerry Edgar (Bosch’s partner in the LAPD) and Lance Reddick provides a stoic intensity as Deputy Chief Irvin Irving — a man navigating the tricky waters of law enforcement and Los Angeles politics. 


Amy Aquino plays Lieutenant Grace Billets — Bosch’s immediate superior, friend, and confidante. Aquino is excellent in the role, and provides a nice counter-balance to Harry Bosch. 


One of the interesting aspects of the series is that the show pulls from a “mashup” of Connelly novels — slicing and dicing his procedurals into each season’s story arcs.

In this clip, Connelly discusses the novels that will be featured in the fourth season of “Bosch”:


That technique is a nice touch. It allows readers to see familiar plot points and established pillars of character development, but it also means each season feels like its own unique thing. 


One of my favorite aspects of the series is the development of Harry’s personal life — in particular, his relationship with daughter Maddie (Madison Lintz). Not only do these threads humanize Bosch, they help keep the melancholy character grounded. 

Another thing I like about the series is the opening title sequence. I know that might seem trivial, but growing up in the 1970s and 80s exposed me to a number of excellent title sequences, and my feeling is that they add a key bit of punctuation to a television series. 

The “Bosch” title sequence features the song “Can’t Let Go” by Caught A Ghost — played over a kaleidoscope of Los Angeles images. There is sort of an OCD quality to the song, and the overall sequence sets a nice tone for the show:


There are number of quality shows for viewers to consume these days, and I know time is limited. I highly recommend you consider adding “Bosch” to your “must-see” list. 

It’s nice to see Michael Connelly’s vision come to screen — in a manner that stays true to the stories told on the printed page. 

I think it is the finest “original” in Amazon’s lineup, and is definitely worth your time.



P.S. - Titus Welliver recorded a video message about the fourth season of "Bosch" on his Twitter account today (Feb. 13, 2018)... it includes some good news about a fifth season of the show. 

Interested in Amazon Video? Try Amazon Prime for 30 days for free by clicking on the ad!






No comments:

Post a Comment